15.9.24 – 26.1.25
The New Subject. Mutating Rights and Conditions of Living Bodies
Maschinenhaus M2
Oshin Siao Bhatt, Yevgeniy Fiks, Tore Hallas, Tirdad Hashemi & Soufia Erfanian & Mahsa Saloor, Clara Sika Helbo, Saodat Ismailova, Kyuri Jeon, Aziza Kadyri, Flo Kasearu, Björn Larsson & Carl Johan Erikson, Albina Mokhryakova, Adina Pintilie, Ajla R. Steinvåg, Anna Tereshkina, Anna Uddenberg
The exhibition explores the political and technological challenges affecting bodies today. The artists examine how the body becomes a site for ideological and political power, looking at strategies of resistance against state control. Focusing on legal, somatic, and cognitive aspects, they reveal how laws and norms are used as tools for the oppression of “unwanted” or “unconventional” bodyminds.
The New Subject at the KINDL is the fourth and final exhibition of a series of interconnected shows.
Curators: The Creative Association of Curators TOK (Anna Bitkina and Maria Veits)
Discursive Programme
16.10., 18:00
Guided tour with Ulrike Gerhardt (Curator, Berlin)
In German
Free admission
Registration
23.11., 12:00 – 17:00
Symposium Contested Bodies: Navigating Control, Resistance, and Technological Impacts
With a keynote by Micha Frazer-Carroll (Writer and researcher, London), conversations with Anna Uddenberg (Artist, Berlin), Anan Fries (Artist, Berlin), Ulrika Flink (Curator, Stockholm), Clara Sika Helbo (Artist and designer, Copenhagen) and a performative reading of a script by Yevgeniy Fiks (Artist, New York).
Moderated by the curators Anna Bitkina and Maria Veits.
In English
Free admission
The programme will be continued in 2025.
As part of
Funded by the Kulturstiftung des Bundes (German Federal Cultural Foundation), the Beauftragte der Bundesregierung für Kultur und Medien (Federal Government Commissioner for Culture and the Media).
Björn Larsson & Carl Johan Erikson are supported by the Swedish Arts Grants Committee.
Adina Pintilie’s project was supported by Rumänisches Kulturinstitut Berlin.
Kyuri Jeon’s project was supported, in part, by the Foundation for Contemporary Arts Emergency Grant.